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7 Useful Modulation Effects Tips

Last Edited: Dec 7, 2023

It would be unlikely to find a fair comparison to natural modulation effects. For example, the flanging effect could be described as a "jet plane" passing by, which would be the closest comparison. Effects such as flanger, phaser, chorus, or ring modulation fall into the special effects category. This is because the mentioned effects are pretty noticeable, and in most cases, they radically change the audio signal they process. Their influence can be more or less obvious, but this depends on your taste. In any case, these effects provide a new dimension of sound, and in the following seven tips, I will show you how to use them creatively.  

1. Tempo Sync

If you use a phaser or a flanger effect, enable tempo sync ( most of these effects offer that option ). This will allow you to create an excellent cyclic pattern spanning over 8 bars or more and even introduce a gradual uplifting feeling to the track.  

2. Ring Modulation

Adding a bit of ring modulation to your bass line could be interesting, but since ring modulation can be a rather extreme effect, try to keep its wet balance closer to a minimum. Therefore, you will create a nice backing layer with some additional harmonics.  

3. Add Compression

Many modulation effects, especially ring modulators or phasers, can cause peaking on some parts of the sequenced or single sound on which they are applied. This happens because they mainly don't operate in the static regime but rather a cyclic one controlled by the LFO. You could avoid those peaks by placing a compressor effect right after the modulation effect in the effect chain.  

4. Cautious Placement

Modulation effects are usually changing the sense of presence. In addition to this, they are known for altering the space and size. It would be best to take caution on what you place them. If you put them on lead elements in your tracks, they will most likely decrease their energy.  

5. Softening with Phasing

The phaser effect can be aimed at taming the harsh frequencies. This is an excellent application for this effect. A subtle touch of phasing on the guitar or the lead synths can soften them so they fit more nicely in the mix.  

6. Crank the Feedback

If your flanging effect sounds too subtle, try cranking up the feedback parameter. This will intensify that impressive whooshing effect, which sounds lovely and unworldly.  

7. Stereo Chorus

The chorus effect can be used as an excellent stereo-widening tool. You could try placing the affected signal on the left and the unaffected signal on the right. This will create a wide stereo image that will work great in your mix.

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