Class D Amplifier

Last Edited: Dec 27, 2023

What Is a Class D Amplifier?

A class D amplifier or switching amplifier is an electronic amplifier in which the amplifying devices (transistors, usually MOSFETs) operate as electronic switches. They do not operate as linear gain devices as in other amplifiers. They operate by rapidly switching back and forth between the supply rails. Moreover, a modulator feeds them using pulse width, pulse density, or related techniques to encode the audio input into a pulse train. The audio escapes through a simple low-pass filter into the loudspeaker. The high-frequency pulses are blocked. Since the pairs of output transistors never conduct simultaneously, there is no other path for current flow apart from the low-pass filter/loudspeaker. For this reason, efficiency can exceed 90%.

The History Behind Class D Amplifiers

Alec Reeves, a British scientist, invented the first Class-D amplifier in the 1950s. Sinclair Radionics released the first commercial product, the X-10. However, it had an output power of only 2.5 watts. The Sinclair X-20 in 1966 produced 20 watts but suffered from the inconsistencies and limitations of the germanium-based BJT transistors available at the time. As a result, these early class-D amplifiers were impractical and unsuccessful. Developing silicon-based MOSFET (metal-oxide-semiconductor field-effect transistor) technology enabled the practical class-D amplifiers. In 1978, Sony introduced the TA-N88, the first class-D unit to employ power MOSFETs and a switched-mode power supply. Rapid vertical DMOS (VDMOS) technology developments occurred between 1979 and 1985. The availability of low-cost, fast-switching MOSFETs led to Class-D amplifiers becoming successful in the mid-1980s. Tripath released the first class-D amplifier based on an integrated circuit in 1996 and saw widespread use.

How Do They Work?

Class-D amplifiers work by generating a train of rectangular pulses of fixed amplitude. They vary in width and separation, or varying numbers per unit of time. Moreover, these pulses represent the amplitude variations of the analog audio input signal. It is also possible to synchronize the modulator clock with an incoming digital audio signal, thus removing the necessity to convert it to analog. The output of the modulator gates the output transistors on and off alternately. Great care is taken to ensure the pair of transistors can never coexist. This would cause a short circuit between the supply rails through the transistors. Since the transistors are either entirely "on" or fully "off," they spend little time in the linear region and dissipate very little power. This is the main reason for its high efficiency. A simple low-pass filter consisting of an inductor and a capacitor provides a path for the low frequencies of the audio signal, leaving the high-frequency pulses behind. In cost-sensitive applications, the output filter is sometimes omitted. The circuit then relies on the inductance of the loudspeaker to keep the HF component from heating the voice coil.  

Source Texts

Education

MASTER MUSIC PRODUCTION

Expert-led courses designed to take you from fundamentals to finished tracks.

An image of the House Boot Camp album art.

HOUSEFrom bouncy bass and solid kicks, this course teaches you the most modern House music production techniques needed to succeed and stand out.

An image of the Trap Boot Camp album art.

TRAPQuit sounding like generic Trap and produce something World with hints of the Far East. Create ethnic soundscapes to put your Trap ahead of the curve.

An image of the Ambient Boot Camp album art.

AMBIENTProduce relaxing, sophisticated psy-influenced ambient. Psychedelic and relaxing to listen to, create meditative soundscapes to put your listeners in Zen.