Vox - Using Vocal Effects

There's a huge variety of vocal treatments that may not be quite so obvious. Not all apply to all styles of music, but it's still worth trying them at least once, just so that you know what they sound like. Many mixing tricks can be used to push the envelope even further. They may not work on every track, but these vocal mixing tricks can give an exciting edge to your vocal recordings. Therefore, in this tutorial, we will examine special techniques that will push your vocals into a new dimension.  

Let's Start

Here, we have a short vocal for a chorus - nothing special about it yet. It is, however, recorded and mixed quite well. It sounds clean and wide.  

 

~Clean Vocal  

In this case, we do not need the first syllable of the vocal sample - so we will apply a fade-in. The next step is to copy the vocal and paste it on a second track. Reverse it by double-clicking the block and hitting the reverse button in the audio edit window. We do this to achieve a gradual lifting sort of sound. Then, trim and adjust the position of the block such that it ends right as the first block begins. On the duplicate vocal (reversed), apply a fade-in. Then, process the output with a reverb - use a relatively long decay setting for a nice blend of these two vocals. Let's listen to it.  

 

~Vocal 2 - Reversed and faded  

Try using a resonator for this next step. It is a fascinating effect. Despite the many available multi-band resonators, we will use RESOCHORD in Guitar Rig 5 by Native Instruments. This resonator is limited to a single band, yet it demonstrates the effect well.  

A Little Bit About Resonators:

In your productions, you may have encountered some delay effects with exact controls for parameters like feedback and delay time. If you set the delay time very short (like 8-10 ms) and push up the feedback generously, you will notice a metallic, resonant tone. Also, slight adjustments to the delay time parameter cause pitch shifts. This concept is the basic idea behind resonators. A resonator is a network of resonant delay lines (as described above). However, instead of setting specific delay times in milliseconds (like you can with the delay), the resonator decides them for you. You can tune the pitches to a particular key - very useful for creating pitched effects.  

Resonator Effect

We will apply the resonator effect to our vocals on the first channel. To do so, we add an instance of Guitar Rig on the track and select resonator from the components/pitch drop-down menu. This unit is called RESOCHORD. We do NOT want it on chord mode (the default setting). Select string mode instead. By shifting the Key button, we determine the master key signature of our vocal. In this case, it is in the key of B minor. Next, we can adjust the Style button to make the effect either clean or muddy and shift the Decay button to a higher value - which will lengthen the release of the overall sound. Here is how our vocal sounds after this processing stage.  

 

~Vocal 1 - with RESOCHORD  

Pitch Control

We could take this further by automating the Key button (which controls the pitch) and turning the vocal into something completely different. Automating parameters in SoundBridge is quite simple. Open the effect and move/click the parameter you wish to automate with "Read" enabled on the XY graph. In this case, you would map the key button on RESOCHORD. This will create a fader on the insert rack module and a respective automation lane under the track. In this new lane, you can create a block and draw some automation points in it. This is what our vocal sounds like with the key button automated.  

 

~Vocal 1 - With RESOCHORD and key signature automation  

To conclude, let's listen to the final output. It consists of the first vocal with RESOCHORD applied and the reversed vocal with reverb.  

~Vocals 1 and 2 - With all processing